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Archive for the ‘Hudson River School’ Category

This post comes to us from Alexandra Torbick, Curatorial Intern. Appropriation, the act of direct duplication, copying or incorporation of an image (painting, photograph, etc) by another artist[1], has been endogenous within the art world since antiquity, especially in the times of the Roman Empire. Using Greek bronze sculptures as their guide, the Romans took [...]

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As the year slowly comes to a close we begin to experience the last hints of autumn as winter settles in. The cool crisp air, the changing leaves, the ripe apples, pumpkins, and seasonal holidays are all upon us. We also begin to see the changes in landscape. Autumn brings a variety of color out [...]

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Millstone Point. William Chadwick (1879-1962). Oil on canvas, 24 x 30 in. Collection of Dr. Timothy McLaughlin. The NBMAA is currently showing American Reflections: The Collection of Dr. Timothy McLaughlin in the Davis Gallery. This private collection is composed of a wide variety of local and regional subject matter. The exhibition is a focused view of [...]

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Thomas Cole, Asher Durand, Fitz Henry Lane, William Bradford, and John Kensett are all renowned landscape artists. Thomas Cole was a founding father of the Hudson River School. He created beautiful and dramatic landscapes by utilizing light and shadow. Cole grew up in England, and  lived near textile mills where there was a lot of pollution, yet he was [...]

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  The Hudson River School artists  paved the way for the movements known as Luminism and Epic Landscape. In contrast to the painters of the Hudson River School, the Luminists focused on landscapes that were less romantic and more concerned with detailed forms defined by light. Fitz Hugh Lane (1804-1865), Thomas Worthington Whittredge (1820-1910), and Martin Johnson [...]

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  The Hudson River School was not an actual school but a group of like-minded landscape painters who worked in a similar style from about 1825 to 1865. The growing number of crowded industrial cities in the East gave rise to an appreciation for pictures of the landscape untouched by man. The movement was fueled [...]

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When looking at Frederick Edwin Church’s painting The Parthenon, one is reminded of the fact that artists have used other works of art as subject matter for several centuries. The Parthenon is part of seven masterpieces from the Metropolitan Museum of  Art on view until September 2010 at the New Britain Museum of American Art. During [...]

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Large-scale and dynamic describe the selections from the Metropolitan Museum of Art’s American collections that will be on view at the New Britain Museum of American Art for a year and a half in an exhibition entitled Hudson River Paintings from the Metropolitan Museum of Art. “I believe you will be astonished by their beauty [...]

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