This post comes to us from Alexandra Torbick, Curatorial Intern. Appropriation, the act of direct duplication, copying or incorporation of an image (painting, photograph, etc) by another artist[1], has been endogenous within the art world since antiquity, especially in the times of the Roman Empire. Using Greek bronze sculptures as their guide, the Romans took [...]
Archive for the ‘New Acquisition’ Category
Imitation is the Sincerest Form of Flattery: Appropriation & Inspiration at the NBMAA
Posted in Collection Highlights, Current Exhibitions, Exhibitions, Hudson River School, New Acquisition on April 19, 2012 | Leave a Comment »
Using Holes to Reveal History’s Blindspots
Posted in Appropriation & Inspiration, Contemporary Art, Current Exhibitions, Museum Ethics, New Acquisition, tagged Colonial America, Contemporary Art, Portraiture, Ralph Earl, Titus Kaphar on July 5, 2011 | 2 Comments »
Upon a quick glance, the newest addition to the Colonial Gallery at the New BritainMuseum of American Art has left some visitors panic-stricken – an understandable reaction considering the fact that the painting has two large holes cut out of it. But do not worry, the NBMAA has not been vandalized, in fact, the [...]
A Life-Sized Testament to Love
Posted in Collection Highlights, Impressionism, New Acquisition, Press Releases, tagged Edmund Charles Tarbell, Eiffel Tower, Exposition Universelle 1889, Frank Benson, Impressionism, New Britain Museum of American Art, Paris, Storming of the Bastille, World's Fair 1889 on April 1, 2011 | Leave a Comment »
Just a few days ago, the NBMAA purcahsed a full-scale, life-sized portrait of Emeline Arnold Souther (Mrs. Edmund Charles Tarbell.) Edmund Charles Tarbell painted this masterpiece early on in their relationship, in fact it was painted in the year they were married (1888) right before he became a teacher for several decades at the Boston Museum School. [...]
The Last Man to Paint The First President
Posted in Appropriation & Inspiration, Collection Highlights, New Acquisition, Press Releases, tagged Charles Willson Peale, Collection Highlights, Dr. Timothy McLaughlin, George Washington, Gilbert Stuart, New Britain Museum of American Art, Permanent Collection, Portraiture, Rembrandt Peale, Thomas Jefferson on March 1, 2011 | 1 Comment »
Rembrandt Peale is known for his portraits of George Washington, one of which the New Britain Museum of American Art is delighted to have as a new acquisition this Presidents month. Rembrandt Peale is supposedly the last artist for whom Washington sat shortly preceding his death. Born in 1778 in Pennsylvania to the famous painter [...]
A Rogue Minimalist
Posted in Collection Highlights, Contemporary Art, Current Exhibitions, Exhibition Tours, Exhibitions, New Acquisition, tagged Abstraction, Extension 1994, feeling, Hartford Art School, In Grace with Change 1989, intersection, New Britain Museum of American Art, pattern, Power Boothe, The Davis Gallery on February 23, 2011 | 1 Comment »
Although he will continue to teach, former Dean of the Hartford Art School at the University of Hartford Power Boothe now has the chance to commit all his efforts to painting, as his job only allowed him a few weeks of artistic focus in the summer. The exhibit Power Boothe: Out of Order at the New Britain Museum [...]
(Painted) Patented Pigs and Genetic Debates
Posted in Appropriation & Inspiration, Collection Highlights, Contemporary Art, New Acquisition, tagged Collection Highlights, Contemporary Art, Marcus Jansen, New Britain Museum of American Art, Permanent Collection on February 7, 2011 | 2 Comments »
If a work of art reflects the time it was created, what are we to make of the NBMAA’s recent acquisition, Patented Pigs by Marcus Jansen? The painting was inspired by an article that appeared in Greenpeace Magazine titled “Monsanto Files Patent for New Invention: The Pig.” The article addresses this multinational agricultural biotecnology company’s attempt in [...]
Contemporary Artwork, Classic Materials
Posted in Appropriation & Inspiration, Collection Highlights, Contemporary Art, New Acquisition, tagged African Art, Alexis Peskine, Appropriation, Collection Highlights, Contemporary Art, Judith Schaechter, Nails, New Britain Museum of American Art, Nkisi Nkondi, Permanent Collection, Stained Glass on February 4, 2011 | Leave a Comment »
There are countless contemporary artists who have appropriated classic materials to create their works of art. In selecting acculturated media, such as stained glass, these artists infuse the resulting artworks with powerful connections to the past. They confront the traditions of society to engage the viewer in a conversation about what art is, where it [...]
A 21st Century “Peep-Show”
Posted in Appropriation & Inspiration, Collection Highlights, Contemporary Art, New Acquisition, tagged Camera Obscura, Contemporary Art, Jimmy Sanders, New Acquisition, New Britain Museum of American Art, Perspective Box, Samuel Van Hoogstraten, Trompe L'oeil on January 24, 2011 | Leave a Comment »
Jimmy Sanders was born in Brownsville, a small town located east of Memphis, Tennessee. In 1985, Sanders was granted a full scholarship to study at the Memphis College of Art. After only one year, he became dissatisfied with the training and decided to leave the institution. In 1993, after several years of self-instruction, Sanders attended [...]
Contemporary Classicism: The Art of Graydon Parrish
Posted in Appropriation & Inspiration, Collection Highlights, Contemporary Art, Current Exhibitions, New Acquisition, tagged Classical Painting, Contemporary Art, Graydon Parrish, Mead Art Museum, New Britain Museum of American Art, New York Academy, September 11 on October 13, 2010 | 2 Comments »
Graydon Parrish was born in Phoenix, Arizona, in 1970. From a young age, Parrish was exposed to artwork within his household and he had an instant fascination with the arts. Parrish attended the Booker T. Washington High School for Visual and Performing Arts in 1988 and thus began his formal training as an artist. His [...]
Photographer David Ottenstein Captures the “Disappearing America”
Posted in Collection Highlights, Current Exhibitions, New Acquisition, Photography, tagged 4x5, abandoned buildings, abandoned farms, Abandoned House, Abandoned House 510th Ave, black and white, David Ottenstein, Documentary Photographs, documentary photography, inkjet print, Iowa, large format, Lorenzo Webber House #1, Northeast on October 8, 2010 | Leave a Comment »
Lorenzo Webber House #1, 2006. David Ottenstein (b. 1960). Inkjet print. New Britain Museum of American Art, Gift of the artist, 2010.45. My photographs, first and foremost, are about beauty. In structures that most people agree are ugly, I see the opposite: surfaces rich in texture and patterns, bold forms molded by light. The translation [...]


