This post comes to us from Sara Cotter, Curatorial Intern.
A large detail of Sol LeWitt’s “Wall Drawing #1105 “Colored bands of arcs from four corners”” which resides on the Dakille Building on Columbus Blvd.
Today in downtown New Britain a newly-created and highly anticipated Sol LeWitt (1928-2007) wall mural will be unveiled. Wall Drawing #1105 “Colored bands of arcs from four corners” was painted on the exterior of the Dakille Building on Columbus Boulevard as part of Connecticut’s City Canvases Project, which aims to revive urban areas across the state by promoting the visual arts and the work of local artists. This initiative was funded by the Department of Economic and Community Development and the Connecticut Office of the Arts, with support from the National Endowment for the Arts. The City of New Britain, in partnership with the NBMAA and the LeWitt Estate, was thrilled to have the opportunity to create a public mural that will not only enliven the downtown area and an already thriving local arts community, but also pay homage to Sol LeWitt, a longtime resident of New Britain and lifelong patron of the NBMAA. (more…)
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This post comes to us from Lacy Gillette, former curatorial intern and current visitor services assistant supervisor.
Searching the Horizon: The Real American West 1830-1920 (Art from the Bank of America Collection) is on view in the McKernan Gallery until March 4, 2012 and has already drawn large crowds to the exhibition devoted to the American West, its landscape and its people. Divided into four thematic sections – Settlement, Landscape, Native Americans, and Urbanization and Industry – the exhibition features over 100 artworks and objects to offer the viewer a range of interpretations of the American West. While the exhibition provides a rich historical account of the changing face of the American West, it is also elucidates the fact that painters’ and photographers’ portrayals of Western culture were often romanticized depictions of “a long-lost era” that influenced and reinforced “Eastern” perception of the people of the 19th and 20th century American West.
Caravan En Route, 1849. Alfred Jacob Miller (1810-1874). Oil on canvas, 21 ½ x 48 in., Bank of America Collection.
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Posted in Collection Highlights, Contemporary Art, Current Exhibitions, Exhibitions, Installation Art, tagged Clarence Laughlin, Conceptual Art, Great American Watercolor, Horizontal Brushstrokes, I.M. Pei, LeWitt, Minimalism, New Britain, New Britain Museum of American Art, Scribbles, site-specific art, Sol LeWitt, Wall Drawing #1196 on June 29, 2010 |
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Horizontal Brushstrokes, 2003. Sol LeWitt (1928-2007). Gouache on paper, 60½ x 60½ in. New Britain Museum of American Art, Gift of the Artist, 2003.14.
Sol LeWitt, the internationally renowned conceptual and minimalist artist, was born in Hartford, Connecticut, but lived and was educated in New Britain. He received his Bachelor of Fine Arts from Syracuse University in 1949. Before settling in New York, LeWitt served in the Korean War. He attended the School of Visual Arts and worked as a graphic designer at the firm of architect I.M. Pei (b. 1917). His artistic inspiration was also enhanced by the entry-level job that he held at the Museum of Modern Art. Over his lifetime, he was given three exhibitions at the New Britain Museum of American Art to which he donated 1,800 examples of his work. (more…)
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