Posts Tagged ‘Murals’

The acquisition by the Metropolitan Museum of Art of Thomas Hart Benton’s groundbreaking mural America Today has aroused new interest in Benton’s murals.  America Today was commissioned by the New School for Social Research in 1930.  Two years later, Gertrude Vanderbilt, who had seen America Today commissioned Benton to create a similar mural for the Whitney Museum titled The Arts of Life in America.

The tale of those two murals offers a tragi-comic history of benign neglect and changes in critical perception that would affect the prestige and desirability of Benton’s work.  Both works passed from fame to disregard and back to fame.


America Today: Changing West, 1930-31. Thomas Hart Benton (1889 – 1975). Egg tempera with oil glazing. Gift of AXA Equitable to the Metropolitan Museum of Art.



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This post comes to us from Sara Cotter, Curatorial Intern.

A large detail of Sol LeWitt’s “Wall Drawing #1105 “Colored bands of arcs from four corners”” which resides on the Dakille Building on Columbus Blvd.

Today in downtown New Britain a newly-created and highly anticipated Sol LeWitt (1928-2007) wall mural will be unveiled. Wall Drawing #1105 “Colored bands of arcs from four corners” was painted on the exterior of the Dakille Building on Columbus Boulevard as part of Connecticut’s City Canvases Project, which aims to revive urban areas across the state by promoting the visual arts and the work of local artists. This initiative was funded by the Department of Economic and Community Development and the Connecticut Office of the Arts, with support from the National Endowment for the Arts. The City of New Britain, in partnership with the NBMAA and the LeWitt Estate, was thrilled to have the opportunity to create a public mural that will not only enliven the downtown area and an already thriving local arts community, but also pay homage to Sol LeWitt, a longtime resident of New Britain and lifelong patron of the NBMAA. (more…)

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Untitled, 2011. Swoon. Wheat pasting and stencil. Brooklyn, NY.

Since the days of ancient Greece, public art has existed as a major art form.  Religious and social art was vigorously implemented by the Greeks to bolster public confidence in the empire.  America experienced a similar phenomenon after the Great Depression when government-sponsored mural projects proliferated throughout major cities in order to reinvigorate public spirit.  The unsanctioned street art of today also communicates socially relevant themes to the public, but does so in a way that often subverts and questions dominant political authority.


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