Feeds:
Posts
Comments

Posts Tagged ‘Old Lyme’

This post comes to us from Gina Ciralli, Curatorial Intern.

Church at Old Lyme, 1905. Frederick Childe Hassam (1859-1935). Oil on canvas, 35 1/2 x 32 1/4 in. Abright-Knox Gallery, Buffalo, NY.

“What he loved best were the pastures of Southern New England in the later autumn after the deciduous trees had shed their leaves and great white oaks and graceful birches stood singly or in groups on gently rolling meadows or moorlands with here and there a glacial boulder or granite ledge out-cropping above the soil.” – Artist Nelson C. White about his father Henry C. White, 1954

Nelson Holbrook White’s (b. 1932) survey exhibition Scenic Spirit is currently on display at the New Britain Museum of American Art.  Nelson’s grandfather, Henry Cooke White (1861-1952) was an acclaimed American painter and member of one of America’s most distinguished art colonies in Old Lyme, Connecticut.  From Frederick Childe Hassam (1859-1935) to Willard L. Metcalf (1858-1925), the colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels.  Inspired by French artists Claude Monet (1840-1926) and Pierre-Auguste Renoir (1841-1919), the colony defined American Impressionism by commemorating the tranquil aspects of rural New England life through use of vibrant palettes and broken strokes on wood and canvas.

(more…)

Read Full Post »

Millstone Point. William Chadwick (1879-1962). Oil on canvas, 24 x 30 in. Collection of Dr. Timothy McLaughlin.

The NBMAA is currently showing American Reflections: The Collection of Dr. Timothy McLaughlin in the Davis Gallery. This private collection is composed of a wide variety of local and regional subject matter. The exhibition is a focused view of Dr. McLaughlin’s collection of landscape paintings from the mid 19th to early 20th century. Following are several highlights of the exhibition.

The artistic heritage of Connecticut is rich and deep. Portraitists and limners earned a living here in colonial times. The nineteenth century saw the advent of history painting and landscape painting. A number of Hudson River School artists came from the state, lived here, or worked here. American Impressionism was embraced very early by painters in the artists’ colonies of Cos Cob and Old Lyme. (more…)

Read Full Post »

The Dragon Cloud, Old Lyme, 1903. Frederick Childe Hassam (1859-1935). Oil on canvas on board, 15 1/4 x 19 1/4 in. New Britain Museum of American Art, Charles and Elizabeth Buchanan Collection, 1989.26.

Frederick Childe Hassam was born and raised in Dorchester, Massachusetts, but dropped out of high school in his third year. He started to study art seriously in 1877 at the age of 18, and in 1886 moved to Paris to attend the Académie Julian. However, it was not in this academic environment that Hassam first encountered Impressionism. This American Impressionist master was first exposed to Impressionism at various exhibitions in Parisian art galleries. He was deeply influenced by the French Impressionists and quickly began to incorporate their use of broken brushwork, intense colors, and overall light—techniques that he combined with a preference for American subject matter. Soon after his return in 1889, he settled in New York, where he and fellow artists John Twachtman (1853-1902) and J. Alden Weir (1852-1919) organized The Ten. (more…)

Read Full Post »